Kevin Gift has seen and done just about everything in local music, releasing and producing hip-hop music under the name of his late twin brother Wendel Patrick, releasing jazz under his own name, teaching hip-hop at the Peabody Conservatory, creating the improvisational series the Baltimore Boom Bap Society and serving as the composer and producer on the WYPR show “Out of the Blocks,” to name a few things.
The radical bookstore and cafe Red Emma’s is leaving its location on North Avenue for the old Ryleigh’s Oyster space on Cathedral Street, the collective announced today on social media.
Pavement singer Stephen Malkmus has no obvious connections to Baltimore, and yet the city has appeared in his lyrics three times. He did it first in “Transport is Arranged” on Pavement’s fourth album, 1997’s “Brighten the Corners,” and then twice with his post-Pavement band, the Jicks.
Local comic book distributor Steve Geppi has donated his collection of rare comic books and pop art to the Library of Congress, including rare storyboards from the first Walt Disney cartoon produced with the Mickey Mouse character and rare Superman and Batman comics.
BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated daily.
To submit your calendar event, email [email protected]!
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Rootless Orchids | Opening Reception
Tuesday, May 29th · 6-8pm
The Asian Arts & Culture Center Gallery
Towson University : 21204
The Asian Arts & Culture Center (AA & CC) at Towson University and Maryland Institute College of Art (MICA) are proud to co-present Rootless Orchids, an exhibition exploring the challenges of shifting Taiwanese identity. The show opens at AA & CC’s Asian Arts Gallery (7700 Osler Dr., Room 2037, Towson, MD) on May 29th and runs through July 22nd. An opening reception will be held on Tuesday, May 29th from 6–8 pm, with a closing reception to follow on Sunday, July 22 from 5-7 pm.
Rootless Orchids features work by Taiwanese and Taiwanese-American artists focusing on shifting identities in the United States and East Asia. The U.S.-based artists share stories of assimilation and being the “other,” while those in Taiwan focus on issues of privilege and power in a rapidly changing pan-Asian culture. Curated by Fang Yu Lee, a candidate in MICA’s Curatorial Practice MFA program, the exhibit looks at transforming memories of immigration and notions of diaspora into microcosms of visual experience. The artists explore the issues of stateless identity in the postcolonial present, as well as diaspora, no- madism, and labor mobility. The artists seek to create a safe space within their exhibition in which Asian Americans and Pacific Islanders can freely talk about their experiences, and let their voices be heard.
The exhibition will display the work of four artists: Chiehsun Chiu, Yi-An Pan, Pei-Hsuan Wang, and Yin- Ju Chen. Yin-Ju Chen’s three-channel projection touches on state violence and government oppression from the late twentieth century, including the Nepalese Civil War and ethnic cleansing in Indonesia. Her work incorporates occultism and astrology to examine humans as objects influenced by larger forces — the larger forces often being the government or the unknown power from the universe.
Chiehsen Chiu’s blood vessels-like map configurations reflect how humans are changing along with their environment. With his unique medium of using maps, he traces the lineage of human cultural development and intertwines it with his personal understanding of the surrounding environment. The work reveals a correlation between globalization and a disintegration of place.
Pei-Hsuang Wang’s single-channel video and sculptures tackle the issue of refugees in Taiwan and Hong Kong. Filmed in Taiwan, Hong Kong, and Thailand. Moonlight Flit features a traveling English/Australian man, a former Thai domestic helper living in Hong Kong, a Bangladeshi asylum seeker in Hong Kong, and an Indonesian caretaker in Taiwan. Through unique elements of each diasporic individual’s story, the film follows the humbled movements of restless bodies across borders and regions and begins to imagine the possibilities of connections in labor and mobility.
Yi-An Pan’s primary medium is painting, but her inspirations are based on Google images. She sees her paintings as maps, a way to navigate, explore, and investigate how unfamiliar places become familiar and home-like. Her imagery reflects the changing landscape of Taiwan, as well as places in the U.S. that draw her interest. These are places that may not exist anymore due to development, alongside images of places in the U.S. that she finds intriguing.
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Baltimore Portrait: Artists in Conversation
Wednesday, May 30th · 7 pm
Church of the Redeemer
5603 North Charles Street: 21210
What do you want to say to Baltimore through art?
Born in Columbus, Georgia and now based in Baltimore, Amy Sherald is best known for her portrait paintings of figures who both reflect and see beyond their everyday circumstances. Her work addresses social justice and the construction of individual identity in response to, or outside of, political and cultural expectations. In 2016, Sherald was the first woman to win the Outwin Boochever Portrait Competition grand prize, and in 2017 she was commissioned by the Smithsonian’s National Portrait Gallery to paint the official portrait of former first lady Michelle Obama. “What was missing that I wanted to see: different archetypes of self-satisfied people of color.”
Originally from Charleston, Stephen Towns is a mixed-media artist and muralist now based in Baltimore. Towns draws much of his visual inspiration from Medieval altarpieces, impressionist paintings, and wax cloth prints. He says, “my work is in response to the issues that have plagued African-American culture–loss of ancestral roots, slavery, class, education, skin tone and religion. The portraits I create are not only glimpses of the sitters; they are also a reflection of myself and mirror my struggle to attain a sense of self-knowledge, self-worth and spirituality.” Towns’ portraits invite and confront the viewer at once. “They won’t let me go,” said one. “I want to create beauty from the hardships in life.”
We’re taking the day off today in honor of Memorial Day. Baltimore Fishbowl thanks and remembers those who died while serving our country.
We’ll be back tomorrow.
Soul Cannon labels its genre as “Experimental/Hip-Hop (from the future),” and that’s pretty apt, with the band’s sound melding hip-hop, jazz, avant-garde music, indie rock and much more. Among other accolades, they’re one of the only bands in town that can count a current city councilman, Ryan Dorsey, as a former member. On Instagram, MC Eze Jackson is promising some new material, so it’ll be interesting to see the band’s latest concoction.
Local post-punk group Post Pink put out one of the best records of 2016, the brisk eight-song “I Believe You, OK.” Packed with exuberant grooves, skittish guitar riffs and Angie Swiecicki’s raw vocals, “I Believe You, OK” was praised by national sites like Pitchfork and BrooklynVegan and Pitchfork, as well as the now-defunct alt-weekly City Paper.
Seeking to utilize more parks in South Baltimore, the Baltimore Office of Promotion & the Arts today announced a new music series that will bring jazz, R&B, soul and other genres of music to places like Middle Branch Park and Carroll Park this summer.
The local feminist/queer/trans-fronted punk band Santa Librada says its music touches on “feminism, transgender rights, love, sex and the surveillance state.” With the song “Something to Say,” the four-piece takes on that certain kind of obnoxious jerk who has to talk over everyone and weigh in on everything.
