In Baltimore, Tim Kreider is known primarily for two things: his comic strip in the City Paper, The Pain: When Will It End?, which ran for fifteen years, and an essay called “My Own Private Baltimore” that he published in The New York Times. For the former, he is beloved. For the latter, the reaction was more complicated. (Sample sentence: “Ernest Hemingway famously described Paris as a moveable feast; Baltimore is more like a permanent hangover. Once you have lived there, you will never be entirely sober again.”)
Laura Lippman wanders downy shore.
If you love Laura Lippman, as so many Baltimore readers do, she’s kept you busy in the seventeen years since she left her job as a reporter at “the Sunpaper” and devoted herself full-time to fiction. Her series featuring detective Tess Monaghan debuted in 1997 with “Baltimore Blues.” “Hush, Hush,” the twelfth in the series, came out in 2015. Her latest book, “Sunburn,” is the tenth of her off-series novels; many of these have hit the New York Times bestseller list in a big way. Just released this week, “Sunburn” may be heading there to join them; starred pre-pub reviews are now joined by raves all in the daily papers and on websites.
Because am I knee-deep in writing The Baltimore Book of the Dead, we’re reposting a column from the very early days of Bohemian Rhapsody — the third, in fact. The Baltimore Fishbowl was just a month old. My ex and I were having a little post-divorce relapse, as we learn at the end of the piece. That does seem like a long time ago. Since I wrote this, four new two-letter words have been added to the “secret language” of Scrabble: DA GI PO TE, appended to the official word list in 2014. I can only imagine what my mother would have to say about it. These days, it’s her namesake, my seventeen-year-old daughter Jane, who is kicking my butt. There’s no one I’d rather lose to.
Originally published June 22, 2011 – I was brought into the fold of Scrabble players in the mid-90s by a food writer boyfriend who kindly scooped me up and resuscitated me after my first husband died of AIDS. In addition to viciously competitive Scrabble playing, the food writer’s recovery program for dazed widows included extravagant piggery both at home and in restaurants, gin martinis, Camels, wave-tossed waterbed sex and the occasional brisk morning walk.
Kill Me Now, by local author Timmy Reed, is the journal of a skateboarder named Miles Lover kept over the summer between 8th grade and high school. Miles has divorced parents who live on opposite ends of Roland Park, younger twin sisters, and no friends — though he does see a fair bit of his pot dealer, whom he calls the Beaster Bunny. Midway through the summer, he develops a relationship with an old guy from the neighborhood named Mister Reese, along with his health aide, Diamontay, and their giant boa constrictor, Tickles.
I’ve been reluctant to tell the story below: it’s too embarrassing, even for a blurter like me. However, I just read that one of the secondary dangers of being scammed is that the victim feels so much shame about falling for the con that they are unwilling to talk about it, leading to depression and PTSD. So spill I shall.
Last month, we looked at new and forthcoming books from four alums of the University of Baltimore MFA in Creative Writing and Publishing Arts. This month, we’re sampling work from two alumni-founded publishing houses, Mason Jar Press and Ink Press.
A couple of years ago, my colleagues and I at the University of Baltimore Creative Writing MFA program watched with pride as D Watkins published The Cook Up and The Beast Side, a memoir and a collection of essays from two major publishing houses, and quickly became recognized as a major voice of his generation of African-American writers. D had just graduated from our relatively young program, and his level of success was a first for us.