Still via video from Baltimore Symphony Musicians/Twitter

Members of the Baltimore Symphony Orchestra showed up at the Meyerhoff Symphony Hall Monday morning with their parking passes disabled, unable to access the building without scheduling an appointment with management.

So, instead of walking in ready to work, the players grabbed picket signs, demanding BSO management relent on plans to cut roughly 20 percent of the professional ensembleโ€™s schedule, as well as the musiciansโ€™ salaries and benefits, this summer.

HEY-HEY! HO-HO! SAVE THE BSO!!!
This is OUR home!!! @BaltSymphony We LIVE for our music and our audience! Donโ€™t stop us! #BSOstrong pic.twitter.com/YSKNs8rsGP

โ€” BSO Musicians (@bso_musicians) June 17, 2019

โ€œPublic pressure is absolutely one of the most important things right now,โ€ said Brian Prechtl, a percussionist for the BSO and co-chairman of the Players Committee of the Baltimore Symphony Musicians, which represents the players. โ€œThey need to relent from cutting off our salaries and our health care so that we can negotiate in good faith. These kinds of scare tactics and undue pressure are coercive.โ€

On Sunday evening, BSO management announced it had approved a lockout after announcing negotiations on a new contract had crumbled. The musicians have been playing without a contract since September 2018.

โ€œDue to the Baltimore Symphonyโ€™s urgent need to address longstanding financial issues and change its business model, the BSO has made this extremely difficult decision,โ€ BSO president and CEO Peter Kjome said in a statement.

The organization announced in late May that it would commit to a move musicians have been trying to stave off, slicing the concert calendar from 52 weeks to 40 weeks. Musicians wonโ€™t be paid or have health insurance and other benefits during those 12 weeks.

Kjome attributed the move to financial bleeding of $16 million in total over the last decade.

A recent Baltimore Sun dig into the orchestraโ€™s finances and other documents found fundraising has lagged significantly compared to projections for years. The organization is finishing this fiscal year at a $1.5 million deficit, and leaders now await the results of an audit, expected within weeks, determining whether the institution is a โ€œgoing concern,โ€ a potential existential threat to the BSOโ€™s future.

The Maryland General Assembly this spring approved $1.6 million in funds to help the orchestra out, but Gov. Larry Hogan has held the moneyโ€”and has indicated he doesnโ€™t plan to release itโ€”because the BSO has already received other state assistance.

Thousands of people have appealed to Hogan to reconsider.

Prechtl and Greg Mulligan, whoโ€™s also co-chair of the Players Committee of the Baltimore Symphony Musicians, said despite those pressing financial concerns, the BSO is sitting on an existing endowment and doesnโ€™t need to resort to cutting off employeesโ€™ health care and salaries.

Prechtl said in reducing their pay, the orchestra is passing on the burden for its financial mismanagement to the musicians. โ€œWe will be the ones that are ponying up for their overspending.โ€

Prechtl noted the appropriations bill that the General Assembly passed, HB 1404, included language mandating the formation of a workgroup to โ€œexamine structural efficienciesโ€ of the BSO and recommend ways to fix finances and broaden the orchestraโ€™s audience and statewide appeal.

Moving forward, convening that workgroup would be a โ€œconstructiveโ€ place to start, he said.

BSO management and the musiciansโ€™ union, Local 40-453, are due to return to the negotiating table on Friday. But in the meantime, Prechtl said the musicians are seeking a commitment.

โ€œThe management needs to back off of this coercive tactic of cutting off our salaries and health care. Those [concessions] would change things dramatically, and then we could have a reasonable discussion.โ€

Ethan McLeod is a freelance reporter in Baltimore. He previously worked as an editor for the Baltimore Business Journal and Baltimore Fishbowl. His work has appeared in Bloomberg CityLab, Next City and...