Tag: sondheim artscape prize

Monument Quilt Creators Win Janet & Walter Sondheim Artscape Prize

FORCE: Upsetting Rape Culture, co-founded by Hannah Brancato and Rebecca Nagle, stand in front of a portion of The Monument Quilt. Courtesy of FORCE: Upsetting Rape Culture. Photo by BOPA.
FORCE: Upsetting Rape Culture, co-founded by Hannah Brancato and Rebecca Nagle, stand in front of a portion of The Monument Quilt. Courtesy of FORCE: Upsetting Rape Culture. Photo by BOPA.

The Janet & Walter Sondheim Artscape Prize, offered annually to a visual artist or collaborators in Baltimore, was awarded Saturday to FORCE: Upsetting Rape Culture, according to the Baltimore Museum of Art. This prize provides a $25,000 fellowship and operates in partnership with Artscape.

Artscape Scrapbook (Green Leg Warmers, Surreal Skies, Dollhouse Furniture)


This girl wore leg warmers, hand warmers, hoodie, and fishnet tights on an overcast and misty afternoon that almost welcomed such outrageously layered coverage. (Cool backpack; great skirt.)

“Image Bank” by Susan Eder and Craig Dennis

I loved the chance to take a stroll inside MICA’s Decker and Meyerhoff Galleries and survey the brilliant array of Sondheim semifinalists’ work. Above, “Image Bank” is a magical view of actual cloud formations. See the heart, see the arrow, the buffalo, the seahorse, the human dog, the dragon-swan, the unicorn skeleton… Well, what do you see?

“Things I’ll Need for the Seduction”: An Interview with Sondheim Winner Renee Stout

“The House of Chance & Mischief”

Seasoned artist Renee Stout, who won the $30,000 Janet and Walter Sondheim Artscape Prize for 2012, is a multi-media maker who creates her art, at least in part, by consistently taking on a fierce fictional identity. Her alter-ego’s intriguing first name: Fatima.

When I visited Stout’s exhibition – currently on display at the BMA, along with the work of all spectacular Sondheim finalists, Lisa Dillin, Jon Duff, Hasan Elahi, Matthew Janson and John McNeil, until July 29th – I was most struck by those pieces in which the mind of this Fatima Mayfield, a gifted spiritual healer, seems most alive and participant. The staged photographs, starring Renee/Fatima in dreadlocks and platform heels, yes, also thought-provoking, but less so for me than the art-text-involved works that seem to stream from both women’s brains, creator and character.

Big Fish Q & A with Baltimore Filmmaker Matthew Porterfield


Meditative, poetic, and deeply observational, writer-director Matthew Porterfield’s films of working-class life simmer with a persistent disquietude just below their benign surfaces. His debut, Hamilton (2006), set and shot in the titular Baltimore neighborhood — where Porterfield grew up and still lives — won widespread acclaim for its quotidian potency. 

Porterfield’s new film, Putty Hill — a deft, seamless combination of narrative fiction and fake documentary – is named after and set in another local neighborhood familiar to him. He shot it along the city’s northeast corridor, in Southwest Baltimore’s Carroll Park, and in southern Pennsylvania, just over the state line from Baltimore County.

Since it opened to hosannas in New York this past February, Putty Hill has gradually rolled out to Baltimore, Washington, Los Angeles, Nashville, and Columbus (Ohio), with future dates throughout the rest of the U.S. 

When not making films, Porterfield, 33, teaches screenwriting and production in Johns Hopkins University’s Film and Media Studies program. He was awarded the Janet & Walter Sondheim Prize last week.


Sum up your life philosophy in one sentence.

Get yours and share.

When did you define your most important goals, and what are they?

My only goal is to keep making movies.

What is the best advice you ever got that you followed?

David Lee Roth once told me, “You have the aura of burning tires: Use it!”

The worst advice, and did you follow it? Or how did you muffle it?

“You should try Salvia.” I didn’t. Special K was paralyzing enough.

What are the three most surprising truths you’ve discovered in your


1) You can do a lot with a little bit of money.

2) You’re more like your parents than you think.

3) You reach a point where you don’t like what the young people are

listening to.

What is the best moment of the day?

Play time with my cats, Trudy and Mo.

What is on your bedside table?

At the moment, three books (John Waters’ Role Models, Werner Herzog’s

Conquest of the Useless, and Dieter Roth’s MOMA monograph), a deer-shaped

candle, a tissue box, and a mimikaki.

What is your favorite local charity?

The Abell Foundation.

What advice would you give a young person who aspires to do what you

are doing?

Start with a story that’s close to home. Keep it simple. And forget prop guns.

Why are you successful?

I don’t scare easy.

What do you hope viewers will take away from Putty Hill?

A feeling akin to excitement.

Do you plan to set and shoot your next film in the Baltimore area?


Do you agree that Timonium and Linthicum sound like lesser-known

elements on the Periodic Table?