A flyer for the pitch party, courtesy of Baltimore Rock Opera Society

Recent history affirms the Baltimore Rock Opera Society isnโ€™t lacking in creativity when crafting its original productions, with everything from gory b-movie horror to battles at sea to an intergalactic search for a new planet hospitable to humans.

But even with no shortage of ideas, thereโ€™s always room for more feedback and input on the ones they come up with. Thatโ€™s why next week, BROS is opening up its annual pitch party to the public for the first time in years.

The options, per a release, exhibit the troupeโ€™s creativity: โ€œa dark metal splatter horror quest, a fantastical western, a disco high school murder mystery, a kaiju rom-com, a dystopian sci-fi, and a samurai hip-hopera.โ€

Each pitch will include a presentation with a quick walk through the plot, the conceptual vision and any art or music already in development. Attendees can then chime in with a vote for their favorite one.

This is part of an effort to bring in potential new volunteers, and to give everyone a look at how the companyโ€™s productions work. While BROS typically sources ideas from the dedicated volunteers behind its full-length shows, artistic director Aran Keating said in an email that they have allowed for outside input and pitches beforeโ€“they just donโ€™t typically advertise the option.

BROS tried out a public pitch party in 2012, but has made it members-only since, Keating said. Now better-established after years of performingโ€“and set to get their own dedicated home at some point in the near futureโ€“the BROS are opening the pitch process up โ€œas wide as possible,โ€ he said.

The party begins 7 p.m. next Friday at The Crown, located at 1910 N. Charles St. Anyone looking to vote should arrive before 8 p.m. and hear all six presentations.

After the votes have been cast, everyone can stick around for The Crownโ€™s monthly second-Friday dance party, TECHNIQ, featuring a local DJ.

Ethan McLeod is a freelance reporter in Baltimore. He previously worked as an editor for the Baltimore Business Journal and Baltimore Fishbowl. His work has appeared in Bloomberg CityLab, Next City and...