Lots of birthdays this month. Baltimore Fishbowl is turning seven, and with it the Bohemian Rhapsody column; meanwhile I am celebrating my 60th, and my son Hayes turned 30 at the end of April. In honor of all this, we’re re-posting the very first column I wrote for the Fishbowl… commissioned and edited by my dear Betsy Boyd, who shares my birthdate. The essay captures a time in our lives that seems long ago already; it, along with many of its successors, became part of the raw material for Highs in the Low Fifties, published in 2013. As for highs in the low sixties, one of the reasons I didn’t write a new piece this month is that I’ve been working on my one-woman show, Portrait of the Artist as a Sad Little Girl in New Jersey. It will premiere at the University of Baltimore Wright Theater May 24, 7 p.m. One show only. It’s part of a works-in-progress series where the audience stays on after the show and gives feedback.
Originally published May 24, 2011 – Last spring, my son Hayes graduated from Georgetown with a degree in finance and was immediately offered a six-figure salary in New York City at one of the big banks. I was amazed. In 1978, when I graduated from Brown with a degree in Russian History, I could hardly land a four-figure job at the 7-11.
Off he went to Manhattan, but things very quickly went very badly. His girlfriend, the beauteous Queen of Ecuador (she was from an illustrious South American family and looked like Penelope Cruz), dumped him two days after he got there. Meanwhile, the six-week training program at the bank was mind-numbingly dull. And while he had not liked New York when he’d lived there as an intern his junior summer, this time, he really hated it. Just making his way from his apartment to the subway in the sweaty morning rush hour crowd was almost more than he could take.