two people on a stage, at a distance but smiling at each other in a happy, friendly way
RJ Brown (l), Andreá Bellamore (r). Photo Credit: Teresa Castracane Photography

Everyman Theatre has announced its 2025/2026 season, celebrating 35 years of being “Built in Baltimore.” The season features six plays led by its 18-member ensemble of resident actors in productions that embody the company’s three-decade legacy of building theatre in the city of Baltimore. 

The season was curated by Everyman’s Artistic Team, aiming for a combination of great plays with diversity in style and subject matter with exceptional storytelling and artistic merit. The lineup ranges from inventive new plays and modern masterpieces to internationally acclaimed contemporary works and timeless American classics.

“Everyman is known nationwide for being a professional equity theatre company that celebrates the actor and features a Resident Company of Artists,” said Vincent M. Lancisi, founding artistic director. “And as we head into our 35th year, I’m proud that Everyman has not only been recognized as one of the premier theatres on the East Coast, but that we’ve been able to contribute to one of the most vibrant arts and theatre communities in the country.”

“We take great pride in being able to create opportunities to sustain artists that are local to the Baltimore/Washington D. C. area,” said Marissa LaRose, Everyman’s managing director. “Only a handful of theatres nationwide can boast that they feature an ensemble of professional actors like ours, while also being driven to ensure all theatre and educational arts programming continues to be accessible to everyone in the community.”

American Classics include Pulitzer Prize-winning masterpiece, August Wilson’s “The Piano Lesson,” presented as part of The Baltimore August Wilson Celebration, and a new adaptation of Jane Austen’s “Emma.”  Original works will include the world premiere of “Dawn,” written by Everyman’s Associate Artistic Director and Resident Company Member Tuyết Thị Phạm – author of the acclaimed “Dinner and Cake.”

The six shows and dates are as follows:

  • “The Piano Lesson” by August Wilson
    August 31 – September 28, 2025
  • “Art” by Yasmina Reza
    October 19 – November 16, 2025
  • “Deceived” adaptation by Johnna Wright and Patty Jamieson, based on “Gaslight” by Patrick Hamilton
    November 30, 2025 – January 4, 2026
  • “Dawn” by Tuyết Thị Phạm
    February 1 – March 1, 2026
  • “Vanya and Sonia and Masha and Spike” by Christopher Durang
    March 22 – April 19, 2026
  • “Emma” by Jane Austen, adaptation by Kate Hamill
    May 17 – June 14, 2026

This season, Everyman Theatre has added more curtain times to meet the needs of their patrons following the results of a survey sent to more than 14,000 Everyman subscribers and ticket buyers. Beginning in September, evening performances Sunday-Thursday will continue to be at 7 p.m., whereas Friday and Saturday evenings will now have performances at 7:30 p.m. Weekend (Sat/Sun) matinees will now begin at 2 p.m., while all regular-scheduled weekday (Mon-Fri) matinee performances will remain at 1 p.m. When possible, the Theatre will also offer an extra weekday matinee at 12 p.m. to accommodate student groups as well as patrons who enjoy coming for an extended lunch break. All attendees receive an automated “know before you go” email 48 hours in advance to remind them of the start time for their specific performance date.

Everyman Theatre will continue its Pay-What-You-Choose Seating Initiative to increase accessibility for all who would like to attend, offering 16 PWYC seats at every performance. Additionally, the final dress rehearsal of each show will continue to be open to the public on Sunday leading into Preview Week as a PWYC performance. General admission seating for this performance is on a first-come, first-served basis.

For full show descriptions, schedules, season ticket packages and single-show ticket information, please visit this link. The box office phone number is 410-752-2208.

Everyman Theatre is located at 315 West Fayette Street, Baltimore, MD.