Tag: abstract art

You Love Kelly Walker: An ArtStar in the Self-Making

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“Seratonin”: “[To be displayed in] Ruth Shaw’s window for fall. I am so excited about the fall color palette and soothing washes of color!” (40×60 diptych, acrylic, spray paint, metal leaf & wax on canvas)
On her website, Baltimore-based artist Kelly Walker says she makes her action-packed, explosively colorful abstract paintings – using a diverse array of materials, from acrylic to lacquer, car paint to spray paint, metal leaf, oil, and asphalt – because she cannot stop moving.

Born in Evansville, Indiana, in 1975, Walker does comes across as, well, hyper-energized, in person – judging by her extra-chatty, big-bespectacled persona, you might guess she’s a brand-new “Saturday Night Live” cast member before you’d say she’s the serious fine artist who shows her work at the BMA, Silo Point, and so forth, and the design talent who commands high-end clientele, collaborating with Patrick Sutton and others.

Buoyant Geographies: Artist Jowita Wyszomirska Rethinks Baltimore

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We last checked in with Jowita Wyszomirska, one of Baltimore Fishbowl’s first resident artists, in January when she presented her show “Tenuous Connection” at MICA’s Temporary Gallery on North Avenue—a series of window-set installations depicting surreal sculptural scenes that simultaneously suggested vintage science textbook illustrations and furry, floral, Dr.-Suessian impossibility. The event’s well attended opening occurred on a chilly night, despite the art’s placement demanding an (extremely brisk) exterior vantage point. This sizzling July weekend, catch Jowita’s newest cool show, “Geographies,” this time indoors at School 33, where she also houses her studio. The reception happens Saturday from 3 to 6, and runs till August 18.  I asked Jowita to tell readers a bit about her high-concept process of drawing, painting, and building, in anticipation of the visually exhilarating next reveal.

How does this show represent a departure from your last show at MICA, and what is the main connective link?

Experience of a place is in some way always a departure point in my work. Thinking about location as a whole, our relationship to place, experience of it, shifts and changes we cause to the landscape,  I use visual aspects from my immediate landscape or surrounding architecture (of a place I know or I have been to) as sources for my drawings.

When I started this new series of work, I had couple of formal tasks that I wanted to accomplish and that pushed me to do some “experiments” with new materials (I like to go to hardware stores and just browse until I see something that has a potential for me).

What was the most challenging aspect?

I am very compelled to make site-specific work. Usually how that works for me is that I intend to follow a loose plan that I have formulated ahead of time. This way I can do some prep work leading up to the show. It is always a push and pull process though. Once I am in the space working, I always come across surprises (that are of my own making). This happened this time as well: I was planning on make my “Buoyant” installation (seen above) completely with 3-D components that I made ahead of time, but instead it turned out to be a whole lot of painting. I love the challenge of not having things figured out, but at the same time it makes my installation process tense and hectic.

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