Photo by Kevin Blackistone.

โ€œMaintain,โ€ the 2015 debut LP from Baltimore duo Wume, remains an icy wonderโ€“starch-saturated, but not without a grooving felicity reminiscent of retro-futurist synthesizer unit Stereolab and its august progenitors. Singer/drummer April Camlin and keyboard player/electronics whiz Albert Schatz have developed an ideal songwriting style, one thatโ€™s efficient yet not cramped, a tightly wound merriment. No beat or tone is extraneous in tunes that nonetheless swing. Camlinโ€™s wordless vocal pulses lent โ€œMaintainโ€ a brisk, free-falling vibe; this is a ride that wonโ€™t buck you off.

On โ€œTowards the Shadow,โ€ out now on Northern Spy Records, Wume expands both its color palette and what it wants to express. The kinetic โ€œPool of Lightโ€ unspools pinballing matrices of player-piano and insistent drums that suggest the Jitterbug, then tacks on evocative, stream-of-consciousness spoken word. โ€œBlood Moonโ€ is essentially an extended, loopy drum solo. A warm rush of upstairs-downstairs and ping-ponging synths, โ€œItโ€™s Okayโ€ weds sharply enunciated chants to syncopated panics; this is Wume at its most gratuitously pop, a mode they seem well-suited for.

So the music remains as crisp and complex as before, now with a marked purposefulnessโ€“an encouragement of inner contemplation. Sloshing and keening ominously, โ€œFunctionaryโ€ foregrounds Camlinโ€™s robotic reading of a Herman Marcuse passage reminiscent of Karl Marxโ€™s โ€œThe Communist Manifestoโ€ and Valerie Solanasโ€™ โ€œSCUM Manifesto.โ€ โ€œGenSeqโ€ laces its semi-industrial squelch with anti-materialist semi-subliminals; the Day-Glo pogo-stick cascade of โ€œShadowโ€ makes for undeniable ear candy, while insisting that โ€œRepression serves no one/And limits our freedom.โ€

The band appears to be leading listeners toward emancipationโ€“from dogmas, from systems, from institutionsโ€“without specifying targets or offering directions. Their aim here is to inspire questions. Mesmerizing and impeccably designed, โ€œTowards the Shadowโ€ somehow never comes across as forced or didactic; itโ€™s as though Wume invited us to another fantastic party, and we woke up at home the next day with pamphlets in our jacket pocketsโ€“ones we might actually do well to re-read.

Wume will play a record release party for โ€œTowards The Shadowโ€ this Friday at the Ottobar with Matmos and Amanda Schmidt opening. Visit theottobar.com for tickets and more information.